Hello from the MovieStuff
crew in sunny Utopia, Texas!
Well, we did it! We finally
surpassed the 3000 unit sales mark in early 2009!
( Click HERE
to see if there's a MovieStuff unit near you! )
In my opinion, the market
for home movie transfers has never been stronger, despite the ups and downs
of the financial market. People seem to get nostalgic about the good old
days and I think that leads them to the attic or the basement where they
know they've seen that big box of photos and movies that they got from
Grandpa all those years ago. To that end, this has been a very satisfying
(and busy!) year and a half since I last updated. We have been developing
so many new models to meet market demands, including our highly anticipated
High Definition series of Snipers, WorkPrinters and CineMates. We also
now have the mi-Scan and QuickSilver units to round out the remaining standard
def market. And, we've added HD and slide transfers to our own in-house
services.
The
last eight years has seen plenty of growth. When we first started this
little company, it was pretty much a two person affair. When not working
as an author, artist and film
maker, I slugged it out in the garage making
telecine
units while my wife, Annette, hustled to get the transfers
done. Now, eight years later, we have a rather spacious workshop (air conditioned
and heated, no less!) and a wonderful staff to help us out. We have shipped
equipment orders all over the world, from Australia
to Europe to Canada to Indonesia. We even shipped a unit to Vietnam! In
my 25+ years in the special effects and film making industry, I have built
everything from camera booms and custom dollies to optical printers and
motion control systems. Let me state here and now that I am not an expert
on anything.
I
am constantly experimenting and learning new things and I take those experiences
and apply them to whatever project I am faced with.
Like many, I started out in Super 8 back in the 70's and later moved on to larger formats, 16mm, 35mm and video. However, I have always had a soft spot and special interest in my heart for super 8mm film producers. Low budget they may be, projects shot in super 8 generally have pretty high stakes and I am compelled to help support the format in any way that I can. I feel fortunate in today's economy to have a job, at all. Indeed, I am especially lucky to have a job that I love that brings so much satisfaction. It goes without saying that I could not have have been this successful on my own. I have a wonderful crew of dedicated professionals -people that I think of as friends more than employees- that are an important part of every unit that we ship out.
Let's meet the gang!
-Sugar-
(yes, that's her real name)
This is most likely the
voice you'll hear when you call. Sugar greets new customers, keeps track
of records
(something I am horrible
at) and does our bookkeeping and office management.Sugar makes sure that
orders
stay on schedule and that
I return your phone calls in a timely manner. But most importanly, I get
to call
another woman "sugar" without
my wife getting mad at me.
-Tabby-
Tabby is the home-movie
queen. She assists my wife, Annette, with all the transfers
of your 8mm and 16mm film.
Tabby is responsible for organizing, cleaning and color correction of
all incoming film transfer
orders, as well as duplication and editing. Her background
in photography
serves
her well in this very important function. The number of times she has been
to DisneyLand
vicariously
via other people's 8mm home movies probably qualifies her as a Disney tour
guide.
We'll
get her a pair of mouse ears for Christmas.
-Annette-
Not
only is Annette, hands down, the best wife any man could ever hope for,
she's also a damned
fine
photographer to boot. (Her commercial work can be seen here.)
As such, Annette brings a
professional
eye for color and an artist's attention for detail to every foot of film
she transfers.
Whether
you are a contemporary independent film maker trying to create that magnus
opus, or just
wanting
to get those old home movies archived before the emulsion falls off, Annette
will be there to
see
that your footage is handled with care.
-Josh-
Josh is our head tool-pusher
(isn't that a macho-sounding title?). Anyway, Josh has been
personally trained by me
and now handles 90% of the mechanicals on every unit we ship out.
He has a sharp eye and
is one of the few remaining people in this rather arcane business
that seems to understand
how film projectors actually work. He also knows the importance of
precision and patience
when creating a device that is destined to handle thousands of feet of
irreplacable home movies.
To date, I haven't had to beat him yet so I guess he's doing a fine job.
-Jennifer-
Jennifer receives incoming
raw chassis, parts and equipment, as well as incoming repairs.
She breaks down the raw
chassis into components for use in the construction process and
handles all shipping and
receiving. In many ways, Jennifer is like a pair of bookends,
handling all incoming and
outgoing equipment. She is the first person to handle the raw
materials that make up
your unit and the last person to handle that unit before it goes out
the door. So if anything
gets lost or doesn't arrive like it's supposed to, don't ask me.
It's Jennifer's fault.
-Daniel-
No,
he doesn't talk with a German accent and his name isn't "Ludwick", though
he is our
resident
mad scientist and all around Jack-of-all-Trades. Dan is the man that takes
my ideas
(and
quite a few of his own) and manifests them into something tangible and
(hopefully) useful.
Every
Sniper unit passes through his hands on its way to me for final QC and
testing. His knowledge of
micro-electronics
and digital design dwarfs anything I have ever assimilated (I'm an analog
guy, myself).
I
know that I can hand off a project to Daniel and it will get done on time
and with the
same
degree of precision that I would expect from myself. Having known Daniel
for over 20+ years,
we're
like an old married couple and argue endlessly about the virtues of transistors
versus relays,
stepping
motors versus gearmotors, and why he's totally convinced that the
Linux OS will one
day
establish a New World Order. I think he's wrong. I'm also fairly sure he'll
never read this.
-Leslie-
Leslie started with us part
time about 3 years ago and never left. She originally was doing Jennifer's
job
but, after everything moved
to Utopia, Leslie made a career change and is now the number-one soldering
queen in the gulf coast
area, assisting Daniel with getting out the endless volume of circuit boards
as well
as making sure that shipments
from our now tiny Houston office stay on schedule. I tried my best to get
Leslie and Daniel to move
out here but, apparently, they're city kids and there's too much fresh
air and not enough noise
in Utopia to suit them.
A
word from Roger and Annette
(photo by Remi Evans, age 8)
When
you order something from MovieStuff, you should know that there is no back
stock. Each unit
is
produced on demand and it will be hand crafted and not stamped out in a
factory by an uncaring
worker
that doesn't know your name. Likewise, your film transfers are handled
with the same care and
attention
to detail. As such, we take great pride in putting quality over speed,
which means that the
time
estimates we give for delivery are only that: estimates. We try to be as
accurate as we
can
and will always deliver a quality product but sometimes there are unexpected
problems with suppliers or
outsourced
materials that we have no control over. We could counter these issues by
simply raising my
prices
to cover the additional overhead of back stock or even more employees but
that would negate the
whole
purpose of what we are trying to offer. I am an independent producer, much
like you, working on
a
budget to create a tool for others that also work on a budget. In the end,
know that we are like you;
independent
producers that know what an independent producer and business person is
looking for.
We
will try not to disappoint you.
Our
best,
Roger
and Annette Evans